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A cornerstone of Sartre’s philosophy, The Imaginary was first published in 1940. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, The Imaginary crystallized Sartre's worldview and artistic vision. The book is an extended examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to imagine objects both as they are and as they are not – ideas that would drive Sartre's existentialism and entire theory of human freedom.

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休谟认为，影像显现为知觉的一种削弱，是在时间中追随知觉的回应。

回忆和图画一样是孤立、脱离于其他影像的影像。任何实在都同时拥有这两种特性：它促使身体行动——又像静止的回忆那样沉积在心灵之中。

影像在斯宾诺莎那里具有双重形态：影像与观念之间存在着深刻的差异，影像是作为有限样式的人的思维，然而它是作为观念总体的无限世界的观念和片段。

诸多影像正是在灵魂中以一种无意识的方式被留存，而且彼此之间相互关联。

影像只担当一种偶因和从属的角色，即思维、符号的单纯协助的角色。

永远必须有一种心灵的专断建构以使精神能够承认它面对的是诸多对等的关系。

物理隐喻把影像变成“在使之诞生的刺激之后的震撼的幸存”并且把影像同化于钟摆的摆动，这种摆动在钟摆被其平衡位置的奇特力量所偏离之后仍然会长时间产生——这种隐喻以及其他的类似的隐喻知道一种罕见的财富。后来，穆勒、泰纳和高尔顿最终确认了影像的本性：这是一种再生的感觉，一种脱离外部世界的坚固碎片。

书籍介绍

A cornerstone of Sartre’s philosophy, The Imaginary was first published in 1940. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, The Imaginary crystallized Sartre's worldview and artistic vision. The book is an extended examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to imagine objects both as they are and as they are not – ideas that would drive Sartre's existentialism and entire theory of human freedom.